Daft punk random access memories2/20/2023 This album would have gobs of live instrumentation, lots of big-name guests, plenty of big-tent melodies, the works - and in an era when such a tiny sliver of artists can afford the works. The album’s first single, “ Get Lucky,” was a sip of neo-disco that ended the song-of-the-summer search before it even started, promising thrills the way blockbuster movie trailers do. It resembled a big-money promo push from the ’70s, a decade of music-biz grandeur that the duo hoped its new music might evoke. TV ads sprouted up during “Saturday Night Live.” Old-school billboards floated over Sunset Strip. When you’ve crafted something as effortlessly innovative as “Discovery,” pushing boundaries isn’t a liberty so much as a responsibility.ĭaft Punk stoked those big expectations earlier this year, launching a massive publicity campaign that echoed its latest aesthetic twist. Since then, there’s been a mish-mashy follow-up album, an intriguing movie soundtrack, lots of taste-steering praise from the likes of Kanye West, and a 2006 Coachella performance that’s been mythologized into the Big Bang that triggered America’s current fascination with electronic dance music.Įxpectations for “Random Access Memories” have been immense, and rightfully so. They’re immortal man-machines sent from the future to teach our planet how to relive its maligned disco yesteryears.ĭaft Punk’s widespread appeal started a dozen summers back with 2001’s “ Discovery,” a collection of supreme dance tracks that still feel joyful and fresh. And with the release of “Random Access Memories,” they seem more than popular. Over time, pseudonymity has transformed the duo into an entity without genre, race, age or nationality, allowing them to produce pop music in the purest sense. We know that Thomas Bangalter and Guy-Manuel de Homem-Christo are two Parisians just shy of 40, but the founders of Daft Punk have hidden their faces for years, sporting helmets and gloves that make them look like bespoke androids. Throughout the night, more than 800 people would spill down the nightclub’s stairs, gathering on a subterranean dance floor to listen to an album they’d already heard on their computers.Įverybody wants to dance with the men in the masks. Earlier this week, an employee of U Street Music Hall strolled down 14th Street NW and ducked into Som Records to buy a vinyl copy of the most hyped album of the year, Daft Punk’s “ Random Access Memories.”įive hours later on Tuesday night, she’d hand the LP over to a DJ who would spin it over the club’s commodious sound system for fans who had been waiting in a line that squiggled down the block and around the corner.
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